Sunday, 9 December 2012

Sonnet




The distance between us doesn’t
matter, does it? After all there is no
distance between us!

You are here with me we are
together; hand in hand, skin brushing
skin, lips on lips kisses sweet, deep.

I can close my eyes. I can close my
eyes and see us together; one, in the
same place. Your face is the first thing I

see when I wake and the one thing I
need when I sleep. And I dream of
you. That’s what I do when the

distance between us rears its head.
You and I are together, in bed.



Monday, 3 December 2012

Her




I feel her
here despite the miles.

I see her
here close and with smiles.

I hear her
here, crunching apples.

I catch a
scent of her; in the air and
on sheets, close to me.

I kiss her:
but only in my imagination;
my memories of holding her.

I have all
of these and breathe in the
whole of her, however far

however close she seems.
She holds me in dreams.



Saturday, 1 December 2012

Cello Loop

http://soundcloud.com/johngimblett/cello-loop-2012-eghg-mix

The Last Berry




I found the sweetest, most
beautiful berry on a dull day,
in a duller summer, dimpled
with new rain.


It almost escaped my attention:
being the last summer fruit it
hid, shyly, beneath a broad


leaf. I stepped back, looked at
the fresh thing almost with
awe; I wanted it to be


mine. So did the bush.


Over the next day, I came
back to the leaf, lifted it
gently, like one might settle


a baby almost asleep. It seemed
to look back at me, as if wanting
to be tasted. As if it were diminished


through being the last berry beneath
the leaf. Anxious that blackbirds or
rain might destroy the sweet purple


fruit, I reached forward, heart
pounding and asked the berry
if I should take it. There was no


reply of course, but I took this
as acceptance and plucked the
thing, both of us trembling.

I wanted to keep it forever;
but held there in the palm of my
protecting hand, I knew what


must happen: I put the berry between
my dry lips, tasted its sugar moist
with the glassy August drizzle.


Held it instead, now, within me.
It nourished me, tasted divine, and
I needed it. As it needed me. 



Thursday, 22 November 2012

Cartagena, Murcia, 2008


New Ways


                    


 When

you were upon
  me

      when I was
inside you

Heaven twisted a
stiff limb

   about itself
and

came back to
  stars. Sculpted

as one we
    moved around each

   other, within the
      solid of our being.

When I was inside
   you, when you were

upon me, there were
   new ways of seeing.




Shilpgram, Rajastha, 1998


"Ekonomi"


"Ekonomi" I, II & III, 5" x 7" each. Acrylic, collage, Finnish snow, on board. 22.11.2012

Sunday, 11 November 2012

Lamayuru gompa, Ladakh, Sept. 1986


Hemis gompa, Ladakh, Sept. 1986


Hair




Moving around this empty house
sometimes a glint of sunlight, early
one morning or in late afternoon
before the sun sets finally behind
the mountain, scrapes a diagonal.

Pulls a sharp line of light across a
chair, the carpet or the edge of a dull
mirror. Occasionally, once or twice a
day sometimes (if I’m lucky and the
gods are with me) this streak of

sunlight will illuminate a long golden
hair. I will recognise it immediately
as one of yours; long and unique
in its colour, it will embellish any
mundanity, anything earthly in the

path of the sun-streak’s movement.
I pick up the hair, it moves on any
wisp of breeze or breath in the room
and I hold it between gentle finger-
tips as if I am holding you, ever so

lightly before dipping my lips to
kiss you. Discarding the fine line
of a hair, the memory of you – the
idea of it becoming part of the room –
sinks into my skin; the soul of the house.




Sleep





I was awake at 3 o’clock
   thinking of you

I was awake at 4 o’clock
   thinking of you

I was awake at 5 o’clock
   thinking of you

I was awake at 6 o’clock
   thinking of you

I was asleep at 7 o’clock
   dreaming of you

I was awake at 8 o’clock
   thinking of you.





Saturday, 10 November 2012

Warm






Beneath a grey sky, at the sea

you are bright and brilliant
and walking with you, your

hand warming my hand, a

warmth burns through me and
through you. A wind of ice

rasps the low sky; you and I

shelter each other. Later we’ll
gasp and lie close together;

Whatever the weather we’re warm.

Friday, 9 November 2012

Diu, Gujarat, India, 1998


Georgetown, Penang, 2000


Haiku



Holding hands our fingers
   mingle, touching we
      tingle. 

Strawberries





You held the fruit
in your warm hands;
soft skin firm caressing

the fruit under your
fingers. I brushed the
long sunset hair from

your face, watched you
lick, suck the flesh of
the fruit. You were

beautiful; golden and
radiant in the sleepy
haze of a sunrise, sighing.

The Cover




Beneath the wool blanket
you’ve wrapped  tight around
us, we are entwined, wound

lightly with skin brushing
skin. In the bed, breathing
together my fingertips

feather your nipples,
my tongue stippling your
lips as we kiss. Within

the shelter of night we
swelter with moving
as one might: I miss you.

Bach





With food I cooked
and by candlelight
looked with longing

and desperate desire.

We stood in shadows,
we danced to Bach
and moved like two

flames in one fire.

We lay in a bath
more candles and
shadows, the day fell

to night and we might

stay there always. With
dripping of oil and
the skim of caresses I

watched you watch me

and I knew that I loved
you. I knew that I
wanted you, wanted us

deeply. You lay gently

upon me so smooth
against me. We touched
in the bath with dreams of

much dancing to Bach

then made love with
such love in the darkness.
And then again in the morning.

Thursday, 27 September 2012

New poetry book: 'Ashes'


Published today: Ashes, a new volume of uncollected poetry. Some of the poems have been previously published in various magazines, journals and anthologies.

Ashes features two poem sequences: 'Crow' and 'Dewlap'. The latter was written for R. S. Thomas, and the former is the earliest selection of work in this volume, dating back to the 1980s.

There are travel poems from India, Burma, Tunisia and elsewhere, and there are poems exploring the themes of Birth, Life and Death. One of the longer poems is an exploration of of what used to be called Manic Depression although there is also humour to be found in the book.

http://www.amazon.co.uk/Ashes-ebook/dp/B009HCXNPQ/ref=sr_1_1?ie=UTF8&qid=1348773777&sr=8-1


Tuesday, 4 September 2012

POEM FOR MY FUNERAL.



Now I’m dead,
keep me in your 
head; remember 
me. Taste the milk
white petals of
our tears, put
fears aside and
keep me in your
head; remember
me. Keep the silence
of the house at
times as a
whisper; an intake 
of quiet breath.
Like we’re sleeping.


Remember me; consider
and return to those
places we visited
together: those sun-
filled, scented streets.
The stones and
wells, the sea-sides
and the souks:
remember me. Keep
me in your head,
dead only in those
cold hours while we
sleep.


Keep me in your
heart: put me between
the heartbeats hear
my pulse thump in
those moments.


Remember me: keep
me in your head.
Dead and not dead.

Tuesday, 28 August 2012

ASHES, for AVRIL




                                                                i.m. Neil Armstrong


Although the polycarbonate container was
purple, the exact hue of burgundy, the
ashes inside, caught by the
slanted teatime light through a
south facing window were the

colour of the moon on a dull
night. Their grains were, on closer
inspection, a myriad shades of white
through to grey. Smaller than sand,

they were dusty; like the remains
of a sawn cinder block or the
grittiness that sits on a stone
wall in hot countries. I used

a plastic tea spoon, one purloined from
a cheap café, to scoop half measures
of this moon into a small
clear plastic bag: though falling

like water, or thick monochrome blood,
the powder acted like a mass of
individual grains. I could see their
angles; uncut diamonds they flowed

smoothly and, still, collectively. I
put the envelope of ashes in a
soapstone Indian dish rested upon by
seven bronze buddhas. One of them has a
   bell inside.





Monday, 9 July 2012

Woods




In Sunday shade, amidst breezy
trees, she gives me a sunny smile
and shadows from green leaves
play upon her. We move between

parts of the forest, cold in the weak
sunshine, and laughing we strip
naked. Holding each other beneath
pine trees we are photographed

skin against skin, kissing and as
natural as we were always meant
to be. From the click of the shutter
we hurriedly dress, rushing back

to the car for tea and pastries. Excited
and aroused, we feel much closer.

Tuesday, 8 May 2012

Kouvola, Finland


February, 2012

Light




Standing beside me,
  sunlight slipping
through a tired window

you enliven me; reflect
  brilliance. I feel the
warmth from you both

and we glow in it.

Helsinki


February, 2012

Helsinki


February, 2012

Fire


FIRE



It started as a vague
proximity: a sense that
something, this blaze of

light might be approaching.
Then the touch and the
fire: the fingertips drumming

my spine sent flame in
a cracked spark beyond me.
The line of the fire meant

only one thing: she was
behind me. Turning, I caught
the sun of a smile: the

universe burned white; I
wondered if at that moment
I might burn with it.

Wednesday, 2 May 2012

"Men an Tol 1"


Acrylic on canvas, 30.4.12

"Men an Tol 2"


Acrylic on canvas, 30.4.12

"Men an Tol 3"


Acrylic on canvas, 30.4.12

"Men an Tol 4"


Acrylic on canvas, 30.4.12

"Post"


Acrylic on canvas, 7.11.10

"Tuscan Sun" (Diptych)


Acrylic on canvas, 2011

"Field Like Sea"


Acrylic on canvas, 20.12.06

"A Fine Line"


Acrylic on canvas, 15.12.06

"A Fence"


Acrylic on canvas, 15.12.06

Tuesday, 1 May 2012

Smile





She wore make up
  and her smile, almost
beatific in the
  half light of the


hall, was serene and
  all but endless. I
thought of it that


night, as light from
  a half moon threw
itself from a warm


window towards me.
  She wore make
up and her smile


made a day brighter;
  gave it depth, made
the night lighter.



Ahmedabad - Bhavnagar


Pictogram poem, Ahmedabad to Bhavnagar road trip, Autumn 1998

Beach


1.5.12

Monday, 30 April 2012

In progress



Four new, concurrent, paintings revisiting the "Men an Tol" series.

IN RAIN THE SUN SHINES
                           



Coming into the room my
heart and the very soul of
me speeds, burns, she turns
and smiles; suddenly the miles
these past days diminish to

heartbeats, mere spaces between
us. She smiles and the silence
envelops me: I can see and
hear nothing but her. I
want to say 'You look

beautiful today - glowing and
glorious.' I want the day to
begin and end there with
this smile and the silence, a
closeness. This time-stopping
   stare.

Sunday, 29 April 2012

Writing erotic poetry

Incredibly difficult to write good, genuine, believable and non-cringeworthy erotic poetry. I've been writing - or trying to write - for a long time, and I still think it's incredibly difficult to do. Got to start with desire, possibly with love and with heart.

Camelias - Erotic Poems

Available now as a Kindle download: 'Camelias - Erotic Poems'

New poetry collection, April 28th 2012

Saturday, 7 April 2012

Ash. i.m. John Gimblett, d.22.4.87

Men an Tol 1

Taj Mahal

Camelia

Easter

EASTER

for Michelle.



I made a wish
for someone else: the
me who stumbles
in an old cold
river, the

me who exists in
another place, outside
of time and of
stumbling. I made

a spark thrash between
synapses, allowing
some empathy with this
me; I watched him
fondle a wet pebble he

lifted from the brook
like it was a lost
chick. Wandered over to
him, the woman and the
child he walked
with; kissed the

triumvirate of meek
smiling people on the
cheek, and walked off
alone as small birds

sang an oratorio.
Their peppered nests
sat hot and hazy in
trees, above a whirlpool.

India

MAN, STATION PLATFORM




Put your stomach
back in. That's what
I was thinking.

Though not exactly the
stomach, per se, I
meant the large and

small intestines. Put
them back in; I
don't wish to see them.

I'm not a doctor, a
surgeon. Don't have
x-ray vision. They

hung outside him
(I think he was
supporting them with

a bent arm: rather
gentle, like I held
a sparrow chick

once when it
fell from the nest.)
The colour was

ripe. Pink through to
crimson, whitish
coils of grey

blubber. They
moved like so many
snakes writhing

together. Orgiastically
wound around other
pipes of dull

tripe. Put your
stomach back in.
That's what I was thinking.

Bill

Bill

Petit Socco, Tangier.



I went from a worn corner
table at a cafe on the small

square in Tangier to a hovel of a
hotel
shown me by a friendly

old
man

I went from the table where I
sat with a native of the
sloped city

sipping mint tea, smoking a stick
of greenery watching old

men hunched with bunches of
spinach falling like rabbit ears
from their cloth bags

We watched the small square
and its crossings (quick steps
on the kerb stones)

The tea was sweet and thick
with a cosmos of green leaves

peppery, hot from the
tannins shot through
with the cells of sugar

he had dancing in the mixture

We crossed to the hovel where the
man with the smile
and the grass asked

me did I want to see Bill's room?

The cell was plain, bare
but much changed (though he
swore it wasn't)

with a small bed and
little
else
in there.

Boy (for Gabe)

BOY
for Gabriel


The signal fell from the
pot, with a knocked drop
like Wellingtons in rock pools.

There was no sound: the
fuschia-black tint of his
skin in this half-light

hid the blue, purple
spread of the blood. The under-
geared lungs chuckled into

motion, breathing a rose glow
into the slow cells. They
took him away, fired vitamin

K into a pipit-small heel,
and returned him to the tired
icy room. He slept like a baby.